#Capture one styles for portraits how to
#Capture one styles for portraits full
#Capture one styles for portraits pro
#Capture one styles for portraits iso
#Capture one styles for portraits free

#Capture one styles for portraits pro

We could use levels and curves to bring the dark tones back up, but Capture One Pro offers an even better alternative: the shadow slider found in the High Dynamic Range tool. If you look at movies, usually you can see details across the whole image, rarely will you see pitch black areas. The result is quite dark for now, but donвЂ™t worry, we are going to use the levels and curves to tone our image like we want! For now, all we want is a slightly desaturated but contrasty image with a t-zone at around 200-220 in the red channel вЂ“ that shouldnвЂ™t have moved by much if you adjusted your exposure and brightness correctly, you should have roughly the same values as before the exposure adjustment. What this means is if we push our exposure slider to the right, we are going to bring everything to the right: brighter highlights, brighter mid-tones, brighter shadows. On the other hand, the brightness slider will adjust mainly the mid-tones, leaving both extremities of our histogram alone.

#Capture one styles for portraits full

Meaning the full histogram is going to move left or right with the slider.

#Capture one styles for portraits iso

The exposure slider adjusts the whole exposure of the shot, just as if we were to change the ISO on our camera. The reason for keeping the highlights on the t-zone around those values is that we are going to tweak our exposure and brightness sliders to get a moodier look while making an even more shiny and glowy skin. If not, check the histogram on the back of your camera, it should help. If you shoot tethered be sure to keep an eye for that. When shooting for this kind of look, I keep the highlights on the face at around 200-220 in the red channel. LetвЂ™s move on to the exposition tab where we are going to adjust our image exposure. When shooting in studio with little-saturated clothing, the settings I used below should work just fine!Д®nough with the colors for now.

#Capture one styles for portraits free

Feel free to play around with each slider, because depending on the colors you have on your shot, you may need to add saturation to the blue and yellow channels, perhaps even shift the hue of the purple to more blue or the red to more orange. So we are going to tone down the magenta, purple, and red while leaving the other channels to their default settings. The color editor will let us edit each color channel individually. To get a cinematic look, I want to mainly keep blue, cyan, orange, and yellow in my shot, but remove or desaturate the other colors. Then we are heading down to the color editor, which should be right below your color balance tool.

Be sure to keep the adjustment very subtle, the color balance tool is fantastic, but itвЂ™s easy to go overboard with it! For now, leave the luminosity slider alone, and only use the color wheel and saturation sliders. Note that the slider left to each color wheel adjusts the saturation and the one to the right the luminosity. Because the color balance is designed to adjust the shadows, mid-tones, and highlights individually, itвЂ™s the perfect tool for the look we are going for! LetвЂ™s add a bit of blue in the shadows, cyan in the mid-tones, and orange/yellow in the highlights like so: The cinematic look is usually cold with blue or cyan in the shadows and yellow or orange in the highlights. We are going to skip the master tab, and head straight to the 3-Way вЂ“В if itвЂ™s not precise enough for you, use the three following tabs which act the same. Using the default Capture One Pro 10 workspace, you should find the color balance tool right below the white balance. If you adjust it afterward, you may need to readjust everything we are going to do. White balance may not seem like a big deal, but it will significantlyВ affectВ the rest of the workflow. If you shoot a gray card, be sure to use it, if not, press the A at the top of the white balance tool and then adjust manually until you feel like your image is neutral. LetвЂ™s head to the color tab and adjust the white balance to obtain a neutral result. LetвЂ™s start with Capture One Pro 10 opened with your latest beautifully shot and lit portrait. The tutorial will concentrate on portraiture, however, if you are a street, landscape, or still life photographer, most principles can apply.

#Capture one styles for portraits how to

HereвЂ™s how to achieve it using Capture One! While lighting and makeup both play a big part in the final look, the post processing is critical as well. As IвЂ™ve been watching a lot of movies and cinematography tutorials, I began mimicking that cinematic feel in spite of myself. Cold and moody processing is quite trendy lately.